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Researchers
Francis Maes
Francis Maes
francis.maes@ugent.be
Department
Department of Art, Music and Theatre Sciences
Tabgroup
Projects
Projects as supervisor
Distorted characters. The discrepancy between character and singer in twenty-first-century opera
(
2018
-
2022
)
Boussu inside out. A study of the life, instruments and working methods of the 18th century violin maker Benoit Joseph Boussu. An organological research from various points of view as the foundation for historically informed instrument making
(
2015
-
2020
)
The radif in contemporary Iranian musical creation. Musical and contextual perspectives
(
2014
-
2016
)
(Post)romantic music criticism in the 19th century. Styles of criticism, exemplified by Robert Schumann and Richard Wagner
(
2012
-
2016
)
Popular dance culture in the Southern Netherlands and Central Europe (1795-1830). An intertwined history
(
2010
-
2020
)
Türkü and halay between Ghent and Turkey. An ethnographic study of Turkish folk music in a transnational context
(
2008
-
2014
)
Publications
Most recent publications
Maes, Francis. “Festival van Vlaanderen.”
Encyclopedie van de Vlaamse Beweging
, ADVN, 2024.
Maes, Francis. “The Queen of Spades: A Tale of an Obsession, and Much More?”
Pique Dame: Read, Listen, Watch
, Bayerische Staatsoper, 2024.
Maes, Francis.
Een Verhaal van Net Niet : Een Baanbrekende Interpretatie van Tsjaikovski’s Opera Jevgeni Onegin
. Borgerhoff & Lamberigts, OWL Press, 2023.
Maes, Francis. “Simon Banks, Opera : The Autobiography of the Western World.”
EUROPEAN HISTORY QUARTERLY
, vol. 53, no. 4, 2023, pp. 707–08, doi:10.1177/02656914231199945.
Maes, Francis. “Where Does Bartók Fit into Twentieth-Century Music? Thoughts on the Tension between Bartók’s Music and Historiographical Concerns.”
REVUE BELGE DE MUSICOLOGIE = BELGISCH TIJDSCHRIFT VOOR MUZIEKWETENSCHAP
, vol. 76, 2022, pp. 219–32.
Full bibliography
Teaching
Historiography of Art: Introduction
Music History of the Twentieth Century
Musical Analysis
History of Music: Until 1750
History of Music: 1750-1900