Jorge Poveda Yánez

Poveda Yánez, Jorge. “From the Truth Commission Report to the Stage and the Museum : The Artistic Dislocation of Violence from the Ecuadorian Chapter of 1983 to 2008.” DOCUMENTA, vol. 41, no. 2, 2023, pp. 307–27, doi:10.21825/documenta.90040.

Poveda Yánez, Jorge, et al. “Forced Secularization and Postmodern Discourses within Contemporary Performance : Weaponizing Multicultural Rhetoric to Ratify Asymmetries among Dance Practitioners.” DANCE CHRONICLE, vol. 45, no. 1, 2022, pp. 79–100, doi:10.1080/01472526.2022.2025738.

Poveda Yánez, Jorge, and Amel Fraisse. “It Is Not Dance, Is Data : Gearing Ethical Circulation of Intangible Cultural Heritage Practices in the Digital Space.” Proceedings of the LREC 2022 Joint Workshop on Legal and Ethical Issues in Human Language Technologies and Multilingual De-Identification of Sensitive Language Resources (LEGAL - MDLR 2022), edited by Mickaël Rigault et al., European Language Resources Association (ELRA), 2022, pp. 84–91.

Poveda Yánez, Jorge, and Benedikte Wallace. “Using Motion Capture Technologies to Assess the Degree of Similarity for Intangible Cultural Heritage Expressions.” International Online Conference on Digital Transformation in Culture and Education, 1st, Abstracts, 2021, doi:10.5281/zenodo.5153235.

Poveda Yánez, Jorge, et al. “Performing the Pandemics : The Intermingling Creation of a Dance Festival and a Community amidst a Global Emergency.” DANCE ARTICULATED, vol. 7, no. 1, 2021, pp. 83–107, doi:10.5324/da.v7i1.4228.