Delphine Munos

Munos, Delphine. “‘Tilting Camus Sideways’ : Intertextual Entanglements between Albert Camus’ L’Étranger (1942) and Kamel Daoud’s Meursault, Contre-Enquête’ (2013).” Entanglements : Envisioning World Literature from the Global South, edited by Andrea Gremels et al., vol. 10, ibidem, 2022, pp. 59–84.

Munos, Delphine. “Afrasian Entanglements and Generic Ambiguities in Sultan Somjee’s Bead Bai.” MATATU (GÖTTINGEN), vol. 52, no. 1, 2021, pp. 188–207, doi:10.1163/18757421-05201012.

Munos, Delphine. “Of Systemic Violence, Addressivity, and ’the Oil Encounter’ : Representing the Gulf’s Indian Diaspora in Benyamin’s ‘Goat Days.’” Narrating Violence in the Postcolonial World, edited by Rebecca Romdhani and Daria Tunca, Routledge, 2021, pp. 186–200, doi:10.4324/9781003110231-14.

Munos, Delphine. “’Tell It Slant’ : Postcoloniality and the Fiction of Biographical Authenticity in Hanif Kureishi’s My Ear at His Heart : Reading My Father.” JOURNAL OF COMMONWEALTH LITERATURE, vol. 55, no. 3, 2020, pp. 376–90, doi:10.1177/0021989418824372.

Munos, Delphine. “Indo-Centricity and Diaspora : Writing Back to the ‘new’ India in M. G. Vassanji’s ‘A Place within : Rediscovering India’ (2008) and Gaiutra Bahadur’s ‘Coolie Woman : The Odyssey of Indenture’ (2014).” DESI - Diasporas : Études Des Singularités Indiennes, edited by Nicolas Dejenne and Claudine Le Blanc, no. 4, Presses Universitaires de Bordeaux, 2019, pp. 113–26.