Dirk Moelants

Küssner, Mats, et al. “All Eyes on Me : Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention.” MUSIC PERCEPTION, vol. 38, no. 2, 2020, pp. 195–213, doi:10.1525/mp.2020.38.2.195.

Coorevits, Esther, et al. “Exploring the Effect of Tempo-Changes on Violinists’ Body Movements.” MUSICAE SCIENTIAE, vol. 23, no. 1, 2019, pp. 87–110, doi:10.1177/1029864917714609.

Moelants, Dirk, et al. “Visual and Auditory Cues in Music Performance and Their Role in Attracting Attention from the Audience.” International Symposium on Performance Science, edited by Aaron Williamon and Pétur Jonasson, Iceland Academy of the Arts, 2017, pp. 167–68.

Coorevits, Esther, and Dirk Moelants. “Tempo in Baroque Music and Dance.” MUSIC PERCEPTION, vol. 33, no. 5, University of California Press Journals, 2016, pp. 523–45, doi:10.1525/mp.2016.33.5.523.

Coorevits, Esther, et al. “Decomposing a Composition : On the Multi-Layered Analysis of Expressive Music Performance.” Music, Mind, and Embodiment, edited by Richard Kronland-Martinet et al., vol. 9617, Springer International Publishing Switzerland, 2016, pp. 167–89, doi:10.1007/978-3-319-46282-0_11.