The Musical Instruments Museum in Brussels preserves 9 instruments by the violin maker Benoit Joseph Boussu, who was born in the north of France in 1703, and active as maker ...read more
While the importance of ‘economic’ (i.e. en masse) copying by early 16th-century Netherlandish masters is widely accepted by art historians, the contribution of ‘creative’ copying to the art practice and theory before ...read more
The research deals with the institutional and aesthetic processes of transformation of East German theatre from the collapse of socialism in 1989 to the turn of the millennium. 1989 posed ...read more
At the heart of this doctoral research lies the blurring of the clear linearity between narration and trauma recovery, which forms the topic of emerging theoretical developments in both transcultural ...read more
Throughout the history of playing the so-called traditional instruments (e.g. violin, piano, trumpet, clarinet), different instructional approaches and methods have been developed to guide students towards expertise. Many of these ...read more
This research focuses on the artistic strategies of Chinese socially-engaged art in the 21st century, which is conducted through an interdisciplinary methodology combining visual arts theories and performance studies.
The aim of this project is examine the influence of auditory (music vs. metronomic sequences) and social (real vs. virtual experimenter) factors on sensorimotor synchronization to identify the conditions that ...read more
This artistic research aims at studying the process of my interpretation and practice of the 72 Etudes Karnatiques pour piano by the French composer Jacques Charpentier (1933-2017) and at investigating the “mirroring” relation between musical ...read more