This research aims to understand the aspects of theatricality and idolatry in Bernard Picart's Cérémonis et coutumes religieuses de tous les peuples du monde (1723-1743).
In 2022 the Frans Masereel Centre in Kasterlee celebrates 50 years of existence. The institution seizes the jubilee as an opportunity to write the history of the Centre, resulting in a publication, ...read more
This project challenges the established chronology of the Counter-Reformation by investigating Catholic investments in material culture in the Low Countries in the transitional period from c. 1535 to c. 1585. ...read more
After World War II, the number of illustrated art books on the market rose rapidly. Following technological improvements and greater availability of photographic reproductions of artworks, publishers and art historians ...read more
“Ut pictura poesis”! The comparison is older than Horace but the rivalry between different artistic media continues on the modern stage. The texts this project proposes to analyse embody an ...read more
Au Musée royal de l'Afrique centrale, aujourd’hui Africamuseum à Tervuren en Belgique qui se réorganise et redéfinie sa mission se trouve une sculpture « infamante » présentant un anioto, un ...read more
Italy entered World War 2 on 10 June 1940 following the declaration of war by Benito Mussolini. As a nation rich of cultural, historical and archaeological heritage, Italy urged to ...read more
The fascinating world of Babylonian and Assyrian gods and demons in the art of Ancient Mesopotamia serves as the foundation for this didactical publication-project. A richly illustrated handbook will make ...read more
When calling a place “picturesque”, do we mean “pretty”, or perhaps “predictable” or “superficial”? Over a century ago, when symbolist artists sought melancholic views to express the hidden soul of things, were such ...read more