Since the turn of the millennium, there has been an explicit interest to deal with theater as a visual event. Bringing theater studies in close connection with visual studies, ...read more
What is the potential of not-understanding (Nichtverstehen) for a critique of culture and subversive aesthetic strategies? How do forms of situational representation actualize this potential? These questions are addressed by ...read more
Performance scholar Una Chaudhuri observed in her keynote lecture at the Psi conference in Stanford in 2013 that the logic of climate change is a very complex one, having no ...read more
This PhD project charts the transformation of the artistic male nude in fin-de-siècle Belgium, in light of the changing views of masculinity and male sociability which are often said to ...read more
While the importance of ‘economic’ (i.e. en masse) copying by early 16th-century Netherlandish masters is widely accepted by art historians, the contribution of ‘creative’ copying to the art practice and theory before ...read more
At the heart of this doctoral research lies the blurring of the clear linearity between narration and trauma recovery, which forms the topic of emerging theoretical developments in both transcultural ...read more
Art historians continually use concepts of art, i.e., they continually distinguish between art and non-art. Before initiating their art historical inquiries, they have to decide which items are eligible for ...read more
This research focuses on the artistic strategies of Chinese socially-engaged art in the 21st century, which is conducted through an interdisciplinary methodology combining visual arts theories and performance studies.
This dissertation scrutinizes public legal art in the context of nineteenth-century Belgium. More specifically, it considers how government as well as political, legal, and administrative actors generated and used art ...read more