The project focuses on the postwar literary radio play in the Low Countries (Flanders and the Netherlands), a clearly defined region where the literary radio play has constantly been kept alive as a tradition in the period 1960-2000 and where it was inspired in interesting ways by the traditions in surrounding countries. The general aim of this project is to analyse the form and functioning of the postwar literary radio play, focusing on innovations in narrative composition. In particular, the project investigates how audio drama develops new methods (specific to this medium) of deploying semiotic systems for narrative meaning-making (for exampe, the multiplication of voices, associational montage, or anti-mimetic use of stereophony).
Three distinct angles are instrumental in addressing the project's central issues (form, fuctioning, innovation):