While the importance of ‘economic’ (i.e. en masse) copying by early 16th-century Netherlandish masters is widely accepted by art historians, the contribution of ‘creative’ copying to the art practice and theory before ...read more
At the heart of this doctoral research lies the blurring of the clear linearity between narration and trauma recovery, which forms the topic of emerging theoretical developments in both transcultural ...read more
Art historians continually use concepts of art, i.e., they continually distinguish between art and non-art. Before initiating their art historical inquiries, they have to decide which items are eligible for ...read more
This research focuses on the artistic strategies of Chinese socially-engaged art in the 21st century, which is conducted through an interdisciplinary methodology combining visual arts theories and performance studies.
In a majority of food studies, visual arts are used as documentary evidence for the analysis of culinary history. Although these valuable studies show a lot of scientific interest in the ...read more
This dissertation scrutinizes public legal art in the context of nineteenth-century Belgium. More specifically, it considers how government as well as political, legal, and administrative actors generated and used art ...read more
ITEMP is a Dutch-Belgian cooperation, involving four promotors and two PhD students. The project’s objective is not only to publish two PhD dissertations, but also to publish a combined article by ...read more
Dealing with the history of the art documentary, this research project focuses on its “Golden Age,” which can be situated in the 1940s and 1950s in countries such as France, ...read more
Since 2012 the Vooruit Arts Center in Ghent specifically resides performers who engage with the public space of the city of Ghent. They are referred to as “de stadsresidenten” (the ...read more