"Repertoires of Slavery", funded by FWO, charted the erratic ideological terrain of abolitionism through the lens of white-produced theater in the Netherlands in a period rife with seething debates over race, ...read more
Due to the increase of social media communication and the development of media, audience attitudes in the modern society are becoming more open than in the past. Nevertheless, a significant ...read more
Performance scholar Una Chaudhuri observed in her keynote lecture at the Psi conference in Stanford in 2013 that the logic of climate change is a very complex one, having no ...read more
The research deals with the institutional and aesthetic processes of transformation of East German theatre from the collapse of socialism in 1989 to the turn of the millennium. 1989 posed ...read more
At the heart of this doctoral research lies the blurring of the clear linearity between narration and trauma recovery, which forms the topic of emerging theoretical developments in both transcultural ...read more
This research focuses on the artistic strategies of Chinese socially-engaged art in the 21st century, which is conducted through an interdisciplinary methodology combining visual arts theories and performance studies.
ITEMP is a Dutch-Belgian cooperation, involving four promotors and two PhD students. The project’s objective is not only to publish two PhD dissertations, but also to publish a combined article by ...read more