Francis Maes

Maes, Francis. “Where Have All the Women Gone? On the Absence of Feminine Agency in Contemporary Productions of the Original Boris Godunov.” JOURNAL OF MUSICOLOGICAL RESEARCH, vol. 40, no. 1, 2021, pp. 53–75, doi:10.1080/01411896.2020.1787794.

Maes, Francis. “Alain Platel’s Quest for Embodied Salvation : A Musical Perspective on C(H)OEURS.” The Choreopolitics of Alain Platel’s Les Ballets C de La B :Emotions, Gestures, Politics, edited by Christel Stalpaert et al., Bloomsbury Academic, 2020, pp. 99–114.

Maes, Francis. “Chandler Carter, The Last Opera : The Rake’s Progress in the Life of Stravinsky and Sung Drama.” EUROPEAN HISTORY QUARTERLY, vol. 50, no. 4, 2020, pp. 715–16, doi:10.1177/0265691420963194b.

Maes, Francis. “Waiting for Verdi : Opera and Political Opinion in Nineteenth-Century Italy, 1815-1848.” EUROPEAN HISTORY QUARTERLY, vol. 49, no. 3, 2019, pp. 533–34, doi:10.1177/0265691419860743v.

Maes, Francis. “Sing to Victory : Song in Soviet Society during World War II.” EUROPEAN HISTORY QUARTERLY, vol. 49, no. 4, 2019, pp. 682–83, doi:10.1177/0265691419877354.