Francis Maes

Maes, Francis. Een Verhaal van Net Niet : Een Baanbrekende Interpretatie van Tsjaikovski’s Opera Jevgeni Onegin. Borgerhoff & Lamberigts, OWL Press, 2023.

Maes, Francis. “Where Does Bartók Fit into Twentieth-Century Music? Thoughts on the Tension between Bartók’s Music and Historiographical Concerns.” REVUE BELGE DE MUSICOLOGIE = BELGISCH TIJDSCHRIFT VOOR MUZIEKWETENSCHAP, vol. 76, 2022, pp. 219–32.

Maes, Francis. “Where Have All the Women Gone? On the Absence of Feminine Agency in Contemporary Productions of the Original Boris Godunov.” JOURNAL OF MUSICOLOGICAL RESEARCH, vol. 40, no. 1, 2021, pp. 53–75, doi:10.1080/01411896.2020.1787794.

Maes, Francis. “Alain Platel’s Quest for Embodied Salvation : A Musical Perspective on C(H)OEURS.” The Choreopolitics of Alain Platel’s Les Ballets C de La B :Emotions, Gestures, Politics, edited by Christel Stalpaert et al., Bloomsbury Academic, 2020, pp. 99–114.

Maes, Francis. “Chandler Carter, The Last Opera : The Rake’s Progress in the Life of Stravinsky and Sung Drama.” EUROPEAN HISTORY QUARTERLY, vol. 50, no. 4, 2020, pp. 715–16, doi:10.1177/0265691420963194b.