This project redefines the understanding of sgraffito in Belgium during the Belle Époque (1870–1914) by uncovering the networks, techniques, and collaborations that shaped its creation. Moving beyond the focus on Art Nouveau and celebrated artists, it examines sgraffito as a nationwide phenomenon with distinctive features—selective placement, intricate line work, and vibrant colour through hybrid techniques—setting it apart from international traditions. Central to this study is the collaborative nature of sgraffito production, involving architects, artists, craftsmen, and commissioners, analysed through a new classification system of pioneers, masters, contributors, and followers. By situating sgraffito within its broader artistic and social context, this research contributes to a more nuanced and comprehensive understanding of its role in Belgium’s decorative arts heritage.
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