Tobias Hermans

Hermans, Tobias. “Exchanges between Narrative and Critical Discourse: Critical a-Normativity in Robert Schumann’s Music Criticism.” Narratology and Arts : Conference Proceedings, edited by Marta Grabocz, Editions Hermann, 2016.

Hermans, Tobias. “Das Unsagbare Als Sagbares: Die Musikkritik Als Entlarvung Der Romantischen Musikästhetik. Betrachtungen Zu E. T. A. Hoffmann,. Robert Schumann Und Richard Wagner.” Praxis Und Diskurs Der Romantik 1800 –1900, edited by Norman Kasper and Jochen Strobel, Schönigh, 2016, pp. 159–76.

Hermans, Tobias. “Poetics of the Periodical Paratext : Editorial Footnotes and Reader Agency in Robert Schumann’s Davidsbund Writings.” COLLOQUIA GERMANICA, vol. 49, no. 2–3, 2016, pp. 157–75.

Hermans, Tobias. “Das Zeitalter Der Unnützen Complimente Geht Nach Und Nach Zu Grabe”: Robert Schumann and Richard Wagner as Musikkritiker. Ghent University. Faculty of Arts and Philosophy, 2016.

Hermans, Tobias. “‘Intermediality’ as an Aesthetic Program: Gustav Mahler’s Lieder Eines Fahrenden Gesellen as a Post-Romantic Response to Wilhelm Müller’s Winterreise and Die Schöne Müllerin.” Afterlives of Romantic Intermediality : The Intersection of Visual, Aural, and Verbal Frontiers, edited by Leena Eilittä and Catherine Riccio-Berry, Lexington Books. Rowman & Littlefield, 2015, pp. 183–204.