This interdisciplinary research examines the design and dressing of fashion dolls as forms of queer aesthetic labor, enabling new aesthetic possibilities to envision gendered bodies in contemporary fashion. This research seeks to answer how the interaction between the doll, maker, and dresser creates speculative futures that challenge binary gender narratives. By integrating reflective artistic practice, queer theory, and fashion studies, I position the designing, dressing, and restyling of dolls as practices of queer world-making, where plasticity and artifice on the bodily surface are central to envisioning gender as fantasy beyond the social construct. Here, gender is framed not as an embodied experience but as an aesthetic negotiation on a fixed, nonhuman surface, exemplified by fashion dolls. By examining the connections between dolls and drag performance, the analysis demonstrates how both nonhuman and human bodies are shaped through intersecting economies of desire and creativity, sustained by often invisible aesthetic work. Ultimately, this investigation broadens the understanding of visual queer aesthetic practice in fashion beyond corporeal self-fashioning, positioning fashion dolls as repositories of queer sensibilities and as speculative canvases for imagining gender in fashion and visual cultures.